“…it’s Andrea del Campo (Charlotte) who really steals the show, often going in to the territory of pure camp. It’s a bold choice and one that pays off with her fantastic rendition of Stepsister’s Lament.”

— review of Cinderella, Winnipeg Free Press, 2019

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“Del Campo embraces the work’s improv roots and gets the night’s biggest laugh without uttering a word.”

— review of The Wedding Party, Winnipeg Free Press, 2019

 

“Del Campo elevates a character who could easily be played as vacuous by imbuing her with a sense of genuine, if simplistic, decency. ”

— review of Bad Jews at Winnipeg Jewish Theatre, CBC, 2015 

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“...del Campo impresses equally. Her Laura is retiring even when alone onstage: she seems to want to disappear into the walls. When caught in a lie, her face forms a rictus as painful as an exposed nerve, but when drawn into a conversation with Jim, she is luminous. ”

— review of The Glass Menagerie, Winnipeg Free Press, 2014

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“Andrea del Campo brings a heart-wrenching frailty to Laura - her subtle fidgeting and retreating body language speak volumes, and make her a compelling character.”

— review of The Glass Menagerie, CBC, 2014

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“Sharon Bajer and Andrea del Campo, positively stealing the show with scenery-chewing performances that are a delight, and don’t miss a comedic beat.”

—  review of James and the Giant Peach, CBC, 2015 

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“Andrea del Campo is a standout in the more light-hearted first half as the acerbic philosopher Apemantus, played here as a cerebral, hard-drinking, chain-smoking stand-up comic — a role del Campo plays to the hilt with spot-on comic timing (picture Dennis Miller in his cynical prime, with a dash of Sandra Bernhard).”

— review of Timon of Athens, CBC, 2018

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